Resident Evil: The Final Chapter

By William Pattison, aka Eric Morse

For Horror Bob's Blog

Well, I went to see Resident Evil: The Final Chapter. I was of two minds on this film. The fighting sequences were fantastic. The production quality was good. Paul W S Anderson is a wonderful director. The big problem I had was with the story. I enjoyed the plot, which was simply the computer program The Red Queen informs Alice that there is an air born cure for the T Virus and she has a short time to return to Raccoon City and get in order to save the human race. The problem was the script, to be more exact the continuity points. It starts at the very beginning of the film, when Alice is going over the T Virus history. Suddenly she says that another guy created the T Virus other than Doctor Ashford (from Resident Evil Apocalypse) and that it was HIS daughter The Red Queen was based on. Also that they daughter had had a disease that caused her to age rapidly and the T Virus was created as the cure. On top of that they say that the creator of the virus was killed before the outbreak and this executive adopts the daughter. From this point on all the continuity that we’ve known from the previous five film is cluster-fucked for this new continuity they created for this one film, like they did with the film Highlander: The Source and Highlander: Endgame. Also they didn’t even show the battle that was starting at the end of the last film. They just mention it in passing.

So, I enjoyed the film but I felt betrayed by the fact that they fucked up the entire established continuity just to make this film work they way they wanted. A film can have great special FX and wonderful production quality, but if the cheat on the story it fucks up the entire thing. It is a flawed tapestry. If you are simply going to see this film for cool battle scenes and zombie and monster action you will enjoy it. If you are a person who wants a good solid story you will be sorely disappointed.

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Review: The Scarlet Gospels (Book)

By William Pattison

For Horror Bob's Blog

On Sunday and Monday I listened to the unabridged audio book of Clive Barker's The Scarlet Gospels. It took eleven long hours. Honestly, I think Clive did a far better job on his series of Hellraiser comics than he did on this novel. This novel had a lot of issues for me. For one thing it was very unbalanced and parts of it seemed very uninspired. I think there were exactly four scenes in this book (I won't go over them) that were brilliantly Barker, but that was it. 

The major uninspired part of this book was Hell itself. The truth is there really wasn't anything hellacous about the Hell Barker describes, it could have been Middle Earth or Imagica for all you could tell.It definitely wasn't a place where Pinhead or his troops fit in. I definitely prefer the labyrinth and Leviathan in the films over the Hell in this book. Unfortunately, it is the trip through Hell that takes up the majority of the book. 

I liked how Barker handled Lucifer, I think that was pretty much the best part of the book next to Pinhead's intro. I felt Harry D'Mour was wasted in this book, even though he was the main character. Really the only good part for D'Mour was when he entered the secret "party" house of his dead client. After that his part just didn't thrill me. 

I felt Pinhead's anticipated death was completely lack luster and a waste. Also, that the entire end of the book was as drawn out as the end of Peter Jackson's film adaptation of Lord of the Rings. 

So, in the end I can't recommend The Scarlet Gospels. If you want some really good Clive Barker/Pinehead action get the four part Clive Barker's Hellraiser comics that came out four years ago.

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Review: The Remains

By William Pattison

For Horror Bob’s Blog

When a recently widowed man (played by Todd Lowe) named John moves his kids into an old Victorian house his kids find an old box full of 19^th century antique items. Unknown to any of them these items are curse by a malevolent spirit of a murdered medium.

I have to say I loved this film. It was a very well constructed ghost story. Maria Olsen plays the murdered medium and though she has very little screen time she makes a strong impression. Todd Lowe does a wonderful job as the grieving father. The real surprise in the cast is Hannah Nordberg who plays the youngest daughter. Not since the character of Carol Ann in Poltergiest has there been as memorable the performance this girl presented.

The only real weakness in the cast is the part of the oldest daughter, which is played by Brook Butler. Unfortunately, Brook seems a bit more mature than the teenager she is supposed play. This made it hard for me to believe her in the role of a sixteen year old. I had a similar situation in the early 90s when Charles Band cast a 22 year old in the part of a 12 year old. But even with this minor issue director Thomas Della Bella delivers a film with good characterization, tension, and plenty of chills.

All I can say is I had heard a lot of good things about this film and I can honestly say that it lives up to its hype. I highly recommend this film to anyone who loves a good ghost story…

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Review: Hollow Creek

Review: Hollow Creek

By William Pattison

For Horror Bob’s Blog

For my review this time I have a horror/thriller by actress, director, and screenwriter Guisela Moro, Hollow Creek.

Collaborating screenwriter Steve Daron plays author Blake Blackman. Blackman travels to do a retreat in a cabin in the Appalachian Mountains with Angie, the woman he is having an affair with, played Guisela Moro. Blake is going to the cabin to write his next horror novel. On the trip to the cabin they hear an Amber Alert and hear that there are several boys missing in the area. Soon after they arrive Angie’s dog starts acting strange like there was in the woods. Meanwhile Angie goes to the local doctor because she has been sick for a couple days and is shocked to find out she is pregnant with Blake’s child. In a twist of fate, on her way back to the cabin she sees a rusty old white car with what she realizes is one of the missing boys in the back. She follows the car to a house in a remote area of town. There she is caught by the husband and wife who have stolen the boys. The wife finds out that Angie is pregnant and convinces her husband to lock up Angie and keep her alive until she has her baby.

Meanwhile Blake is the prime suspect in Angie’s disappearance and spends months trying the mystery of what is going on in the small town.

I have to say that Guisela Moro and Steve Daron have written a wonderful script full of tension and strong characterization. Guisela shows herself a real talent as she takes on the hats of director and screen writer, as well as delivering a powerful performance as Angie. Former Hollywood superstar Burt Reynolds also gives a wonder performance in the role as the rich Grandfather of one of the missing boys. All in all this is a well done thriller with a bit of ghostly action as well. If you are looking for gore this won’t be the film for you, but is you want tension and drama this is the film for you.

All I can say is I highly recommend this film and I look forward to Guisela Moro’s next film.

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Review: Dark Summer

   

Review: Dark Summer
By William Pattison, aka Eric Morse
For Horror Bob's Blog

I just finished watching the 2015 film Dark Summer. This film tells the story of a 17 year old cyber stalker named Daniel who was obsessed with a girl named Mona. As the story opens Daniel is under house arrest and has to wear a sensor on his leg that only allows him to walk around his property. Also because of his cyber stalking he is banned from going on the internet. But his close friends Abby and Kevin help him find a way to get back on the net. But when he does he receives a Skype message from Mona. Mona makes him watch as she blows her head off with a gun. After Daniel starts having frightening experiences and suspects he is being haunted by Mona. Now it is up to Abby and Kevin to save Daniel before the spirit of Mona finishes her plans for him.

I really enjoyed this film. It was well written and it didn’t have the same stereotypical characters. I’ve honestly gotten tired of seeing The Breakfast Club style character setups in films. In this film Daniel, Abby, and Kevin felt like they were long time friends rather than a bunch of pretty faces that would never be seen dead together lumped together. Also this film had atmosphere. You felt a sense of being closed in and trapped in Daniel’s home. Also I loved how the filmmakers treated the spirit of Mona. When she was seen she wasn’t overdone, like most of these modern horror filmmakers do. I get tired of seeing ghosts that look like they came from the cast of Hellraiser. Mona was made pale looking and the only gory thing about her was the hole in the top of her head. Also, the plot twist at the end caught me by complete surprise, which is a rare thing.

So, people if you want a well written ghost story, with well developed characters, not over done, with a kick assed plot twist, this is the film for you. I highly recommend it…

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Review: The Channel

By William Pattison, aka Eric Morse

For Horror Bob's Blog

I just finished watching director, writer, editor Tom Lewis' new film The Channel. This is a film about a girl named Cassie who survives an auto accident and ends up being pursued by a negative entity. She also starts seeing spirits, including her friend who died in the car accident. We follow her as she deals with her doctors and psychiatrist who figure she has a mental condition and her parish priest and his young associate who start to suspect something demonic is threatening Cassie's life.

Director Tom Lewis uses his modest budget very well, depending on creative camera work and the use of colored lighting and shadow to create a creepy mood. He also uses digital and practical FX sparingly and to the greatest affect. This is truly a well made horror film and I hope to see a lot more from this wonderful director.

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Review: # Horror

Review: # Horror

By William Pattison

For Horror Bob's Blog

First off I would like to thank my Youtube buddy Cauwel3 for making me aware of this film.

#Horror is supposed to be a morality tale about the inhumanity that modern parents are imparting into their children. In the case of the six rich spoiled ego case girls director/writer Tara Subkoff takes this to the extreme. So extreme that there is not one character that the viewing audience can relate to much less sympathize with, one of the big no nos in horror. Another failure of the director is the setting. This huge window (literally the exterior is completely made of windows…) house with garish artwork on the few walls, including a way large painting of an open hard boiled egg that for some reason the director uses special FX to make it pulse like a heart on occasion.

In the story six very nasty, spoiled, girls come together at one of the girl’s garish window house. This is, of course, after the girls father and his mistress get killed in his car on a road in the woods not far from the house. The girl’s mother takes off leaving the girls to do as they choose. For the majority of the film you see the girls being bitches, constantly doing selfies, and putting on a female pissing contest with each others They even do this very disturbing dance while wearing creepy masks. And, I literally mean this is what happens through ninety-eight percent of the film. The fun ends when one girl calls the fat girl in the group fat. The main girl, the girl whose house they are in, tells her to leave. The girl is ejected out into the snow and the cold. She calls her daddy (played over the top by Timothy Hutton) comes to the house, bullies the girls, and goes out looking for his daughter. That is finally murders start happening, in the last fifteen minutes of the film.

To put it simply this film is one that puts image over substance, stereotypes over actual building of actual three dimensional characters, endless fluff over solid dramatization. This film promises gore at the beginning and ends up boring the audience. And, of course when the payoff is given it is not even worth it. Even the opening credits are barely readable because the filmmaker shows them in bursts of flashy imogies, which is perfect for a film that is all flash and nothing else.

As a lover of horror I cannot recommend this film. I hope this filmmaker learns from this film and does a horror film next time with better characterization, tension, and real scares.

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